[美] 梅雷迪斯·梅（Meredith May） 特稿记者，作者，第五代养蜂人。 在《旧金山纪事报》任职的十六年间，梅雷迪斯·梅获得了凯西杰出记者奖章；赢得职业记者协会和美联社颁发的特稿写作奖第一名；作品入选普利策短名单，被收录在《2005年度最佳新闻写作》中。2017年出版的处女作《我，没有死》（I, Who Did Not Die）讲述了一名伊朗儿童兵的真实经历。 梅雷迪斯·梅曾任奥克兰米尔斯学院新闻传播学教授，担任多所高校的客座讲师。现居旧金山，在社区花园中养殖有数个蜂群。

This brief, core introduction to public speaking combines a concern with classic rhetoric with a strong focus on ethics, diversity, and the latest technology. "The Audience, The Message, The Speaker" emphasizes the speaker's responsibility to convey succinct, meaningful information that is well organized, reliable, and clearly expressed for the relevant audience.

约翰·哈斯林（Jogh Hasling），美国加利福尼亚福特希尔大学荣休教授，在该校主持演讲课程27年。1963年于萨克拉门托加州州立大学取得文学硕士学位，之后在该校任教并指导该校辩论队。1966年哈斯林来到福特希尔大学，教授演讲课并担任校广播台的教师顾问。随后，开设了小组讨论、人际沟通和广播新闻等课程，并撰写了相关书籍。教师是他的第二职业，他的第一职业是广播。从1952年到1961年，他为北加利福尼亚的若干电台担任播音员和技术人员。1980年，与麦格劳-希尔公司合作出版了《无线电广播基础原理》一书。 马昕，武汉大学英语专业硕士，曾供职于中华书局，现为自由译者及编辑。 袁婧，现于中国传媒大学攻读国际新闻与传播硕士学位，曾译有《佳能5D3教程》《文案创作完全手册》。

'The book is essentially for a student of mass communication or may be of interest to the communications expert into communications reserach, theory or operations research. The author addresses a specific "audience" and does it to perfection with a simple very readable presentation' - The Economic Times Denis McQuail provides a coherent and succinct account of the concept of 'm...(展开全部)

The word audience has long been familiar as the collective term for the "receivers" in the model of mass communication process (source, channel, message, receiver, effect). It is a term that is understood by media practitioners and theorists alike and has entered into everyday usage; however, there is much room for differences of meaning, misunderstandings, and theoretical conf...(展开全部)

The word audience has long been familiar as the collective term for the "receivers" in the model of mass communication process (source, channel, message, receiver, effect). It is a term that is understood by media practitioners and theorists alike and has entered into everyday usage; however, there is much room for differences of meaning, misunderstandings, and theoretical conf...(展开全部)

'The book is essentially for a student of mass communication or may be of interest to the communications expert into communications reserach, theory or operations research. The author addresses a specific "audience" and does it to perfection with a simple very readable presentation' - The Economic Times Denis McQuail provides a coherent and succinct account of the concept of 'm...(展开全部)

Set in Oregon in the early years of the twentieth century, H. L. Davis’s Honey in the Horn chronicles the struggles faced by homesteaders as they attempted to settle down and eke out subsistence from a still-wild land. With sly humor and keenly observed detail, Davis pays homage to the indomitable character of Oregon’s restless people and dramatic landscapes without romanticizi...(展开全部)

◎彼得·汉德克（Peter Handke，1942— ）奥地利著名小说家、剧作家。当代德语文学最重要的作家之一，被称为“活着的经典”。1973年获毕希纳文学奖，2009年获卡夫卡文学奖。著有小说《守门员面对罚点球时的焦虑》《重现》《无欲的悲歌》《左撇子女人》，剧本《骂观众》《卡斯帕》《形同陌路的时刻》等。 ◎1961 年入格拉茨大学读法律。24岁出版第一部小说《大黄蜂》，在此之前他已退学专心创作。同年发表使他一举成名的剧本《骂观众》，在德语文坛引起空前的轰动。 ◎他创作的《卡斯帕》，在现代戏剧史上的地位堪与贝克特的《等待戈多》相提并论，他也被誉为创造“说话剧”与反语言规训的大师。 ◎在文学创作之外，汉德克与文德斯合作编剧的《柏林苍穹下》成为影史经典，他导演的电影《左撇子女人》曾获戛纳电影节最佳影片提名。 ◎汉德克 / 在文景 《守门员面对罚点球时的焦...(展开全部)